 | |  | | powiększ | | | | lista utworów na Max Richter Out Of The Dark Room | |
[ 1 ]
1.The Haunted Ocean 4
2.Any Minute Now / Thinking Back
3.I Swam Out To Sea / Return
4.What Have They Done?
5.The Haunted Ocean 5
(Solo Version) 6.The Vel D'hiv
7.The Escape
8.When She Came Back
9.The Tree, The Beach, The Sea
10.Julia's Journey
11.Julia Walking
12.Sarah's Notebook
13.Wadjda's Journey
14.Conversation
15.Sequence
16.The Release
[ 2 ]
1.The Swimmer
2.Unwritten
3.Break In
4.Beginning & Ending
5.On The Road To Abrahama 1
6.In The Cosmic Lobby
7.Out Of The Dark
8.Love & Imagination
9.The Rising Of The Sun
10.These I Send To You
11.Returning Over The Nightmare Ground
12.I Will Not Forget You
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| 32990 39987322 (P) 2017 Milan [1002]
2CD
cena: 
produkt niedostępny, kliknij powiadomimy Cię jeżeli produkt pojawi się w sprzedaży  poinformuj znajomych |
Out of The Dark Room collects some 24 of Max Richter's "most beautiful compositions for film" c. 2008-2015, issued in the wake of his string of major solo and score releases. So great is Richter's wingspan now that you've maybe heard some of them without realising they're from the Richter scale - a definite measure by which to hold up modern classical film soundtracks. Equally adept at majestic string orchestration as he is with bellicose electronic tension and romantic themes - as proved in the first three tracks inside, and as you would hope from a blockbuster OST composer - Richter is patently fluent in the language of film music, evidenced in his work with everyone from Tilda Swinton and Robert Wyatt to his work on films such as Waltz With Bashir, Sarah's Key, Wadjda, Disconnect, The Congress, and Testament of Youth - all included inside. [...więcej...]
tagi: 329903998732 classical NEW AGE 9903998732 32999987322 OST | |
| | | | |  | 2LP 14-60 dni | |
... Equally adept at majestic string orchestration as he is with bellicose electronic tension and romantic themes - as proved in the first three tracks inside, and as you would hope from a blockbuster OST composer - Richter is patently fluent in the language of film music, evidenced in his work with everyone from Tilda Swinton and Robert Wyatt [...] | | | |
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