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(P) 1995 (2017)
| ... These scores are a wealth of wonderful graphic images which beg to be heard. During the process of studying them, I found myself aligning sounds with images, performance gestures with graphic gestures, shapes (graphic) with shapes (musical) with [...] |
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(P) 2002 (2003)
| ... It almost seems as if Emily Dickinson could have been describing the early piano music of Morton Feldman when she wrote those lines nearly one-hundred-and-fifty years ago. Certainly, the uncommonly short, acutely concentrated, unadorned and [...] |
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(P) 2002 (2003)
| ... Listening to the flow of sound itself, there's no sense of closure, or resolution, not a conclusion, hardly even a cessation. It's more an interruption, a tear in the fabric. How was it decided? Probably simply through [...] |
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(P) 2002 (2003)
| ... Steffen Schleiermacher: piano
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Editor's info :
Beautiful, bold, striking piano music - as new a sound as any music hidden, forgotten, or forbidden; as traditional a blast as a stiff shot of vodka. But it [...] |
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(P) 2002
| ... w paryskim ircam i w Filharmonii Kolońskiej, na weneckim Biennale, na festiwalach Wien Modern, Huddersfield, Milano Musica, Donaueschinger Musiktage, Musikmonat w Bazylei i Ars Musica w Brukseli. Jej opera Moon Spirit Feasting (Yu LÔng Ji) prezentowana była na festiwalach w Adelaide (2000), Melbourne (2001) oraz w berlińskim Hebbel Theater, zurys-kim Theater Spektakel i [...]
1. Vodoo Child 2. Veil 3. Inguz 4. Heart's Ear 5. Philtre 6. Diabolical Bird |
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(P) 2002
| ... Houle: clarinet
Kyle Bruckmann: oboe
Robbie Hunsinger: english horn
Jeb Bishop: trombone
Jen Paulson: viola
Michael Cameron: acoustic bass
Lou Mallozzi: concrete sound
Jim Baker: piano
Editor's info :
[...] |
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(P) 2001 (2002)
| ... his FORMs, however, is not a specific approach to dynamics, but to sound. And precisely this inquiring interest in sound, both as a physical phenomenon and as regards its perception, was a constant [...]
1. Form 1 / J.Tenney 2. Octandre / E.Varese 3. Seven / J.Cage 4. Piece / S.Wolpe 5. Numbers 1964 / M.Felman |
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(P) 2001
| ... There is movement, and stasis. Lines are drawn, thicken, thin out, and disappear. Phrases stretch like taffy. Shapes congeal, morph, and dissolve. Threads tangle and untangle. Sections are joined into blocks of fabric, [...] |
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(P) 2001
| ... those of Wolpe, Feldman and Zimmermann. For Daniel N. Seel is not only a of renown, but a prodigious composer, whose oeuvre includes, apart from numerous piano pieces, orchestral music, an opera, scores of [...]
1. Battle Piece / S.Wolpe 2. Palais De Mari / M.Feldman 3. Wuestenwanderung / W.Zimmermann 4. Nacht Stuecke / D.N.Seel |
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(P) 2001
| ... Although the piano is one of my favorite instruments, which I use almost constantly in my chamber works, I never thought the solo piano could become a major medium for my music. In fact, composition for any solo instrument has not interested me too much, probably [...]
1. Sight Rythmics / (1975) 2. Walk / (1976) 3. In Early Spring / (1993) 4. A Dance For Piano, "Europeans" / (1990) 5. Tango Mnemonic / (1984) [...] |
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| ... They offer the listener a rare opportunity to hear, on one CD, a large sampling of seminal 20th century works for the percussion ensemble. . . . I think that the collective enthusiasm and energy that the young performers on these recordings bring to each piece confirms my long-held opinion that these [...] |
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(P) 2000
| Peter Ablinger
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| ... Vertebrae: a composite line around which the body's extremities congregate. Spinal column: the concrete concept on which the slipped (compact?) disc is founded. Or, if not absolutely ossified into the bony hardness of [...] |
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| ... cornet; Michael Cameron: ac. Bass; Kent Kessler: ac. Bass"
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Editor's info :
Much more directly than, for example, Webern, Feldman, or Tristano, who have often been cited asinfluencing my work, I [...] |
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| Ives Ensemble
Editor's info :
Though seeming to face the same existential wall as John Cage and other post-WWII composers, Clarence Barlow, like Beethoven and Ives before him, actually builds his own labyrinths, brick by brick, and then searches for an escape. To do so he devises various elaborate [...] |
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| Pi-Hsien Chen: solo piano * PI-HSIEN CHEN
* ARNOLD SCH"NBERG (1874-1951): ARNOLD SCH"NBERG: WORKS FOR PIANO. FOR TWO HANDS
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(P) 1999
| ... repetition something infinitely variable. This Clementi has done for the last twenty years. He has found a technician's answer to the familiar question of what to do, musically, with the compulsive [...]
1. Impromptu 2. Om Dagen I Mitt Arbete... 3. Settimino 4. Scherzo 5. ... Im Himmelreich 6. Studi 7. Duetto 8. Madrigale 9. Due Canoni 10. Veni, Creator... |
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powyżej 7 dni (towar na zamówienie)
zapowiedź (data premiery przy produkcie)
