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ULVER's fifth full-length album, 2000's Perdition City (Music to an Interior Film) is back. Perdition City continued the experimentation started by Ulver on Themes from William Blake's The Marriage of Heaven & Hell (1998), containing elements of trip hop, ambient, spoken word, jazz and electronica. But the album showed the band retreating further, into isolation, a sort of turn of the millennium angstiness, observations of haunting nocturnal (noir) beauty and urban decay. It was described on its release as moody, atmospheric electronica, cinematic in scope and evoking a soundtrack for an imaginary film. [...more...] |
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 | CD 14-28 days | |
A huge jumping-off point from the ever-changing lycanthropes. Continuing the psychedelic line of the William Blake album, but expanding into trip-hop and purely boundless experimental soundscape areas, Ulver smashes all [...] |
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