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| ... Zummo's music evokes Minimalism that's just getting up in the morning, still rubbing its eyes; the hard, rational edges and crisp patterns haven't yet come into focus. But while the music sounds relaxed, it also shows a calm, self-effacing intelligen"
A Piece in Six Movements
1. Fresh Batteries [...] |
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(P) 2007
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(P) 2005 (2015)
| " "". . . her 'sound art' . . . is celestial in its implications and down to earth in its reverence for everyday noises. "" --Kyle Gann, Village Voice
Excerpts from the liner notes by Tim Perkis:
Ellen Band's work . . . lies in the path it takes"
1. Railroad Gamelan (9:39) 2. [...] |
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(P) 2005 (2015)
   | ... The example of his music embodies a lifelong commitment to an integral radicalism. . . . this is a venerable tradition that Philip has written so eloquently about, and cont"
1. 7 Joyous Flashes (3:45)
2. Concerto for Housekeeper (5:58)
3. Short Piano Piece IV [...]
1. 7 Joyous Flashes 2. Concerto For Housekeeper 3. Short Piano Piece IV 4. Short Piano Piece IX 5. Short Piano Piece XIII 6. Flux + Form No.2 / (Solo) 7. Flux + Form No.2 / (Three Versions Mixed) [...] |
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(P) 2010 (2011)
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1. Kyema 2. Kailasha 3. Koume |
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(P) 2005 (2015)
| ... tremuloius, palpitating tones and shimmering timbres. - Rahma Khazam, The Wire
Voted one of the top 50 records of 1999 by the w
"1. Partita for 16 long strings of equal length (20'06"")
2. Partita [...] |
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(P) 2005 (2015)
| ... American flavor absent from most European modernists. -New York Tribune
Logos Works contains eight works by the Logos Duo featuring both Darge and Raes on various instruments, as well a
1. Shifts (11:06)
2. [...] |
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(P) 2005 (2015)
| ... Once condemned to drunken requests for Who Stole the Kishka and Happy Wanderer, this virtuoso now plays deconstructed, reconstructed art songs and dance tunes, translated in
1. Union Hall (17:30)
2. Fez Up (3:59)
3. Loosening up the [...] |
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(P) 2005
| ... P K & S L S (19:04) Petr Kotik, alto flute; Susan Stenger, flute; 4. Winterbloom Too (19:41) Eberhard Blum, bass flute"
" Phill Niblock's music has no precedents, invites no comparisons, and doesn't even suggest any metaphors to me. It is simply [...]
versions: CD | 2LP |
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(P) 2005
| ... NEW YORK TREBLE SINGERS, SHANNON PEET, BARBARA HELD, MARY JANE LEACH
* CELESTIAL FIRES
" [Her pieces] have an underlying sense of magic and mystery. Unlike some of her more intellectual contemporaries, Leach is not merely messing around with the properties of sound; she's exploring (and connecting with) the aesthetic and even [...] |
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(P) 2005
| ... Four of One Another (1988) 11:27
Guy Klucevsek - accordion and the SoHo Quartet (Mary Rowell, Mark Feldman, Lois Martin and Erik Friedlander)
2. Parterre (1988) 14:35
Relche (clarinets, saxophones, bassoon, accordion, voice, percussion)
Kilter is significant as a title because it displays Mary Ellen's habit of insisting we remember what, if [...] |
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(P) 2005
| ... Cirrus (18:43) for 6 trumpets Gary Trosclair, trumpets; 3. Simoom (20:34 ) for 8 cellos Theodore Mook, cellos;"
" Lois V Vierk creates music whose distinctiveness flows from a mixture of the intense analytical disciplines of her composition teacher [...] |
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(P) 2005
| ... - New York Times
Open Secrets features Mac Low and Anne Tardos performing works for multi-track voices; and Robert Bethea, Andrew Bolotowsky, Daniel Good"
1. 1st Milarepa Gatha (5:12)
2. Milarepa Quartet for Four Like Instruments (3:46)
3. Thanks [...] |
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(P) 2005
| Body Music is music for Ellen Fullman's unique Long String Instrument, an eighty-foot long instrument with approximately eighty strings. Fullman has been developing this instrument for longitudinally vibrating long strings over the past thirteen years. H
1. Bass Song (14:27)
2. Over and Under [...] |
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(P) 2005
| ... Canyon (7:54)
Refractive Light; 5. Harbinger (1:03); 6. Crisscrossed Eights (7:09); 7. Ein Glaesele Warems (3:28)"
No electronic composer has made more poetic uses of the now-common interaction of live musician and [...] |
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(P) 2005
| ... characterized as rigorous forms within which specific sound worlds are explored. She experiments with the physicality of sound on various instruments, using pithy material to exploit instrumental [...] |
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(P) 2022
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(P) 2021
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(P) 2021
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(P) 2019
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