Rodelinda stems from a period of great creativity in Handel's life, 1724-25, following hard on Giulio Cesare and Tamerlano. Although it met with only moderate success. One of its first revivals was via the German Handel Society in the 1920s, and then the Handel Opera Society revived it again, with a cast including Joan Sutherland, during the 1959 celebrations of Handel's bicentenary. It was one of Sutherland/Bonynge's later Decca operatic collaborations (1985) and their only Handel opera they recorded together.
... Wspaniały występ Renee Fleming został odnotowany przez "The New York Times": "Pani Fleming sięga do wszystkich możliwych źródeł inspiracji: piękny dźwięk, wyjątkowe ozdobniki, dźwięczne wysokie rejestry, bogactwo emocjonalne".
Jej sceniczny partner, kontratenor Andreas Scholl, w roli Króla [...]
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