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(P) 1999
| ... repetition something infinitely variable. This Clementi has done for the last twenty years. He has found a technician's answer to the familiar question of what to do, musically, with the compulsive [...]
1. Impromptu 2. Om Dagen I Mitt Arbete... 3. Settimino 4. Scherzo 5. ... Im Himmelreich 6. Studi 7. Duetto 8. Madrigale 9. Due Canoni 10. Veni, Creator... |
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(P) 1998
| * POLWECHSEL [JOHN BUTCHER, WERNER DAFELDECKER, MICHAEL MOSER, BURKHARD STANGL]
* POLWECHSEL
1. Nord 2. OST 3. Nno-Fernaumoos 4. Sudwest |
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(P) 2001
| ... Although the piano is one of my favorite instruments, which I use almost constantly in my chamber works, I never thought the solo piano could become a major medium for my music. In fact, composition for any solo instrument has not interested me too much, probably [...]
1. Sight Rythmics / (1975) 2. Walk / (1976) 3. In Early Spring / (1993) 4. A Dance For Piano, "Europeans" / (1990) 5. Tango Mnemonic / (1984) [...] |
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(P) 1998
| ... Central ideas of the U. S. avant-garde-the reduction of complexity, the use of space and room resonance as musical parameters, re-definition of the use of technology, re-integration of the roles of [...]
1. Percussion, R.Orth-Tape Delay Sys / M.Kaul |
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(P) 2001
| ... those of Wolpe, Feldman and Zimmermann. For Daniel N. Seel is not only a of renown, but a prodigious composer, whose oeuvre includes, apart from numerous piano pieces, orchestral music, an opera, scores of [...]
1. Battle Piece / S.Wolpe 2. Palais De Mari / M.Feldman 3. Wuestenwanderung / W.Zimmermann 4. Nacht Stuecke / D.N.Seel |
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(P) 2002
| ... w paryskim ircam i w Filharmonii Kolońskiej, na weneckim Biennale, na festiwalach Wien Modern, Huddersfield, Milano Musica, Donaueschinger Musiktage, Musikmonat w Bazylei i Ars Musica w Brukseli. Jej opera Moon Spirit Feasting (Yu LÔng Ji) prezentowana była na festiwalach w Adelaide (2000), Melbourne (2001) oraz w berlińskim Hebbel Theater, zurys-kim Theater Spektakel i [...]
1. Vodoo Child 2. Veil 3. Inguz 4. Heart's Ear 5. Philtre 6. Diabolical Bird |
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(P) 2002
| ... Houle: clarinet
Kyle Bruckmann: oboe
Robbie Hunsinger: english horn
Jeb Bishop: trombone
Jen Paulson: viola
Michael Cameron: acoustic bass
Lou Mallozzi: concrete sound
Jim Baker: piano
Editor's info :
[...] |
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| ... cornet; Michael Cameron: ac. Bass; Kent Kessler: ac. Bass"
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Editor's info :
Much more directly than, for example, Webern, Feldman, or Tristano, who have often been cited asinfluencing my work, I [...] |
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| Ives Ensemble
Editor's info :
Though seeming to face the same existential wall as John Cage and other post-WWII composers, Clarence Barlow, like Beethoven and Ives before him, actually builds his own labyrinths, brick by brick, and then searches for an escape. To do so he devises various elaborate [...] |
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(P) 1998
| ... we notice how our perception of music changes. A sensitization to music is formed through differentiated, repeated structures that do not force the listener to mere rehearsal of the composer's [...] |
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(P) 1999
| ... his studies in Stuttgart and Darmstadt, and took from them a healthy eclecticism and questioning of conventions. Symbolically, these scores for solo piano can be seen as Kasemets' equivalent of [...]
1. + Timepiece, Tangovariables On The Word 2. 3/7 D'un Morceau En Forme De Poire, Feig 3. Cascades, Pythagoras Tree, Music Of The 4. 11 Primes |
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| ... Imagine the same boy riding his bicycle at full speed, discovering the sound produced by the airstream when he opens his mouth, relishing in the multitude of overtones resulting when he changes the shape of his oral cavity. . . . The solo [...]
1. Percussion,Voice,Cymbalom Etc./ / M.Kaul 2. + Kutunga,Timpani Ride,Mazza,Roma,Hendri / X |
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(P) 2001 (2002)
| ... his FORMs, however, is not a specific approach to dynamics, but to sound. And precisely this inquiring interest in sound, both as a physical phenomenon and as regards its perception, was a constant [...]
1. Form 1 / J.Tenney 2. Octandre / E.Varese 3. Seven / J.Cage 4. Piece / S.Wolpe 5. Numbers 1964 / M.Felman |
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(P) 2002 (2003)
| ... Steffen Schleiermacher: piano
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Editor's info :
Beautiful, bold, striking piano music - as new a sound as any music hidden, forgotten, or forbidden; as traditional a blast as a stiff shot of vodka. But it [...] |
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| Pi-Hsien Chen: solo piano * PI-HSIEN CHEN
* ARNOLD SCH"NBERG (1874-1951): ARNOLD SCH"NBERG: WORKS FOR PIANO. FOR TWO HANDS
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1. Works By H.Dufourt,J.De Senleches,B.M.Ku / Czer, 2. A.Carlevar,H.Pousseur/ 3. Saxophon Ensemble Xasax |
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| ... In his flute course that summer Severino Gazzelloni presented Kazuo Fukushima's work Mei, and the composer himself spoke about its origins and the process of its composition. This all left a deep [...] |
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(P) 1995 (2017)
| ... These scores are a wealth of wonderful graphic images which beg to be heard. During the process of studying them, I found myself aligning sounds with images, performance gestures with graphic gestures, shapes (graphic) with shapes (musical) with [...] |
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| ... They offer the listener a rare opportunity to hear, on one CD, a large sampling of seminal 20th century works for the percussion ensemble. . . . I think that the collective enthusiasm and energy that the young performers on these recordings bring to each piece confirms my long-held opinion that these [...] |
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zapowiedź (data premiery przy produkcie)
