| | (P) 1967 (1998) | ... And while each musician is given ample room to solo, the effort stands as an example of groupthink in that no individual stands out or shows off. The groundbreaking title track-during which the horn section recurrently repeats the melody as drummer Tony Williams and bassist Ron Carter improvise, thus inverting the conventional sense of a [...]
1. Nefertiti 2. Fall 3. Hand Jive 4. Madness 5. Riot 6. Pinocchio 7. Hand Jive / /First Alternate Take/ 8. Hand Jive / /Second Alternate Take/ 9. Madness / /Alternate Take/ [...]
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| | (P) 1964 (1998) | ... Having professed his admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (and, in particular, the title track) as homage to the fallen leader, a collective soliloquy comprised of pieces shot through with deeply emotional passages, [...]
1. My Funny Valentine 2. All Of You 3. Stella By Starlight 4. All Blues 5. I Thought About You
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| | (P) 1997 (1998) | |
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| | (P) 1958 (1998) | ... /> Davis' burnished trumpet? Rendered in three-dimensional perspective, coaxing his mates out to play with unburdened zest and commotion. Coltrane's trademark saxophone? Witness it in life-size proportion, his solos working [...]
1. Venus De Milo 2. Boplicity 3. Jeru 4. Moon Dreams 5. Godchild 6. Move 7. Milestone 8. Little Willie Leaps 9. Half Nelson 10. Sippin' At Bells 11. Ray's Idea [...]
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| | (P) 1964 (1998) | ... Dopiero 2 miesiące później do zespołu Milesa trafił Wayne Shorter i pozostał do roku 1970. Charakterystyczne były także entuzjastyczne wypowiedzi samych muzyków (Herbie Hancock - fortepian, Ron Carter - bas, Tony Williams - perkusja), [...]
1. Introduction By Teruo Isono 2. If I Were A Bell 3. My Funny Valentine 4. So What 5. Walkin' 6. All Of You 7. Go-Go / (Theme & Announcement)
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| | (P) 1968 (1998) | ... Tony Williams' percussion, central to every composition here, transpires before your eyes. Herbie Hancock's piano hovers and fades with sublime purity. And George Benson, who sits on "Paraphernalia," blows the equivalent of smoke rings with his bluesy guitar, which [...]
1. Stuff 2. Paraphernalia 3. Black Comedy 4. Country Son 5. Black Comedy 6. Country Son / (Alternate Take)
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| | (P) 1964 (1998) | To Berlin i słuchacze obecni w Filharmonii Berlińskiej 25 września 1964 byli świadkami pierwszego nagrania "drugiego wielkiego kwintetu" Milesa Davisa - tego, do którego dołączył Wayne Shorter. Znane już utwory, jak "Milestones", "Autumn Leaves", "So What", "Walkin'", "Go-Go (Theme)" i [...]
1. Milestones 2. Autumn Leaves 3. So What 4. Walkin' 5. The Theme
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| | (P) 1957 (1998) | ... Rehak: trombone Jimmy Cleveland: trombone Joe Bennett: trombone Tom Mitchell: bass trombone Willie Ruff: flugelhorn Jimmy Buffington: flugelhorn Tony Miranda: flugelhorn Bill Barber: tuba Lee Konitz: [...]
1. Springsville 2. Mainds Of Cadiz 3. The Duke 4. My Ship 5. Miles Ahead 6. Blues For Pablo 7. New Rhumba 8. The Meaning Of The Blues 9. Lament 10. I Don't Wanna Be Kissed [...]
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| | (P) 1987 (1998) |
1. So What 2. Spring Is Here 3. Teo 4. Walkin' 5. The Meaning Of The Blues / Lament 6. New Rhumba 7. Someday My Prince Will Come 8. Oleo 9. No Blues 10. I Thought About You [...]
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| | (P) 1974 (1998) |
1. If I Were A Bell 2. Oleo 3. My Funny Valentine 4. Straight, No Chaser
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| | (P) 1998 | ... It was also a turning point for Davis: In this year he embarked on some of his most radical music, abandoning jazz and the expansive textures of Bitches Brew for a concentrated take on rock and funk that defies categorisation. Jack Johnson, [...]
1. Right Off 2. Yesternow
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| | (P) 1969 (1998) | ... In particular, Tony Williams' inventive percussive touch-he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight-is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis' nocturnal trumpet, Wayne Shorter's [...]
1. SHHH/Peaceful 2. In A Silent Way/It's About That Ti
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| | (P) 1964 (1998) | ... Whereas the latter spotlights ballads, this thrilling souvenir is all about quick tempos, rushing solos, left-hook rhythms, and hard-bop grooves. Drawing largely on mid- and late-1950s material, Davis-accompanied by bassist Ron Carter, drummer Tony Williams, saxophonist [...]
1. So What 2. Walkin' 3. Joshua 4. Go-Go / (Theme & Announcement) 5. Four 6. Seven Steps To Heaven 7. There Is No Greater Love 8. Go-Go / (Theme & Announcement)
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| | (P) 1968 (1998) | ... The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968. The final appearance of Davis' classic second quintet bears fruit on [...]
1. Frelon Brun 2. Tout De Suite 3. Petits Machins 4. Filles De Kilimanjaro 5. Madamoiselle Mabry 6. Bonus: Tout De Duite / (Alternate Take)
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| | (P) 1965 (1998) | ... Prepare to be swayed on every level. For many, E. S. P. looms among the decade's best albums if only because of the significance of Davis' lineup. While Hancock, Williams, and Carter are holdovers that began [...]
1. E.S.P. 2. Eighty-One 3. Little One 4. R.J. 5. Agitation 6. Iris 7. Mood
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| | (P) 1984 (1998) |
1. Decoy 2. Robot 3. Code M.D. 4. Freaky Deaky 5. What It Is 6. That's Right 7. That's What Happened
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| | (P) 1989 (1998) |
1. Intro 2. White 3. Yellow 4. Orange 5. Red 6. Green 7. Blue 8. Electric Red 9. Indigo 10. Violet |
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