DAUTHA's debut album "Brethren of The Black Soil" stays true to the band's adopted mundane perspective as they convert the rich lore and history of Medieval and Antique Europe into their own take on Epic Folk/Doom Metal. Their focus on the commoner's hardship's and sufferings is most evident in the title track, in which they let a deceased serf speak out against his equally dead oppressor's, the landlords and the clergy, in the aftermath of the great plague of the 14th century. The song, which contains a psalm-esque section sung in Swedish with lyrics borrowed from the German poet Andreas Gryphius (1616-1664), is a testament to death's equalizing and unifying power, and to the vanity of vanities.
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